Jorge of the Concrete Jungle

There is an oft-quote Chilean saying which I’ve just this instant made up, and it goes like this:

“Ask not, ‘Why did the chicken cross the road?’ but rather, ‘How did the chicken cross the road?'”

Crossing the road in Santiago is a chore. One must admire the audacious town planner who, with a straight face, presented his designs for Santiago to a committee who subsequently approved and funded them. I imagine that this town planner must have hated pedestrians, because he certainly hasn’t made things easier on us.

I say “he” because after years of walking around this city, the person who designed its layout has become very real in my mind. I have dreamed up a fictional figure towards whom I can channel all my rage every time I have to leap a barrier, or wait at three separate sets of traffic lights simply to cross a road.

I call him Jorge. Not only because Jorge is a common name in Chile, but also because it is a name that can be said with menace – Two syllables, each beginning with an aggressive rumble in the back of the throat, like the way a sleeping dog might growl while you attempt to tie a bandana onto its head. I hate Jorge almost as much as I’m sure he hates me. Take for example, my local super market.

My local super market is exceptionally close, perhaps two blocks away as the crow flies. If I stand on my balcony and look straight ahead, I would be able to see it if there wasn’t a building in the way.

I like to survey the city from my balcony while I angrily mutter “Jorge” under my breath.

In order to reach this super market, I need to cross two busy streets which are separated by a wide concrete island. One street takes traffic north, the other takes traffic south. So picture the scene: I leave my building and walk in more or less a straight line until I encounter the first busy road which carries traffic north. I cross easily at a zebra crossing and reach the middle island. I walk across the island towards the street that carries traffic south, but before I can set foot on the tarmac I encounter a fence which forces me to walk about two blocks up in order to get around it, thereby doubling the distance I have to travel.

Now, I don’t drive, so I don’t know what things are like from a driver’s perspective, but I am convinced that the discomfort brought to every Santiago pedestrian is not a result of careless planning. No, Dear Reader, when Jorge sat down to trace out his initial blueprints for this city it was with malicious intent.

The average intersection, for example, offers only two or three demarcated crossings. Usually, the less-busy street can only be crossed from one corner. This means that, if you want to cross a street while obeying the rules, you often have to cross a road three times. If you have trouble visualising that, let me explain:

Let’s say you’re walking north, and you’re on the west side of the street, okay? Now you come to an intersection. But your crossing is on the east side of the street. So you cross the street, going from the west side to the east side. That’s Crossing Number One.

Then you cross legally, going north. That’s Crossing Number Two.

But, although you’re heading in the right direction, you’re still on the east side of the street. Should you want to get back on the west side (to get out of the sun, say), you’ll need to cross again. That’s Crossing Number Three.

Three crossings just to get to the other side.

But suppose you’re willing to play slightly fast and loose with the rules. Suppose that a little jaywalking doesn’t phase you. Well, you may be thwarted yet. If you cross at an un-designated crossing spot you might find yourself confronted with a metal railing on the opposite side, which you need to either leap over or walk entirely around. It’s a hassle.

To the left of this photo you can see Jorge’s freedom-inhibiting fence.


And it’s not just the crossings that vex me so. Trees and benches are scattered around the city with with no obvious harmony. For example, there is a street in the eastern part of the city which I often make use of. It runs west to east and therefore gets blasted by the sun in the middle of the day. Fortunately, this avenue is lined with benches and trees, yet these objects are nowhere near each other. So should you find yourself requiring a rest here, you can either sit in the sun or stand in the shade, but you can’t do both. Well, you could stand in the sun if you wanted to, but that would be madness.

Note the benches. Now note their distance from the trees. I call that distance “Jorge’s Constant.”


I hope, Dear Reader, that you can understand some of my ire. Jorge is like a child colouring in a picture of a kangaroo – it’s all over the place and the colours are all wrong – except this mess isn’t through incompetence, it is through malice. I know this because I invented Jorge. I’m sure, if the budget allowed it, he’d make you duel a wizard on each corner too.

So, the next time you find yourself in Santiago and you need to get to the other side of a street, simply cross the first lane, go several blocks up, cross the second lane three times, leap the fence, and be thankful you don’t have to fight a wizard.

I tried to take an aerial photo of the city, but I couldn’t throw my phone that high.

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